Tag Archives: theatre

A Shot of Spirits: Ep. 14. Stirling Theatre – South Australia

 

A Shot of Spirits: Ep. 14. 

Stirling Theatre – South Australia

We’re back in South Australia this week, visiting the Adelaide Hills. I first wrote about this haunting many years ago, and in 2021, spoke about it at a presentation at the Mount Barker Library!

Dame Judith Anderson


Judith Anderson
Dame Judith Anderson in the role of T’lar in Star Trek 3: The Search for Spock.
Another of South Australia’s fine but forgotten actors (see earlier blog about Otto Peter Heggie.)
 Dame Judith Anderson was born in Rose Park, South Australia in 1897 as Francis Margaret Anderson. She used the stage name Francee Anderson during her stage debut in Sydney in 1915.
Anderson later pursued her acting dreams and moved to Hollywood,  Los Angeles USA, where, via a letter of introduction she was introduced to Cecil B De Mille.
 Despite her talents and contacts the west coast was not for her, so she moved to New York City to work at the Fourteenth Street Theatre.
 Anderson made her Broadway debut in 1922. In 1924, Anderson changed her stage name, this time to “Judith Anderson” and with the new name came the success she had dreamed about with the play “The Cobra”, which proved to be extremely popular.
The 1930’s proved to be very successful decade for Anderson.  Returning to the USA after a successful theatre tour in Australia that had started in 1927, Anderson now found herself much sought after. With work offers to star  opposite screen and stage legends such as Humphrey Bogart, John Geilgud and Laurence Olivier.
 Anderson starred in such notable plays as Hamlet, MacBeth, Mourning becomes Electra and The Mask and the Face.
 It was not long before Anderson made her television debut, starring in two small screen adaptions of Macbeth, which won her two Emmy Awards, the first female to ever win two awards for the same role in different productions.
 Soon the silver screen beckoned with Anderson debuting in 1933’s Blood Money. This led to supporting roles in Alfred Hitchcocks “Rebecca”, the movies “Laura” and “Cat on a Hot Tin Roof”, “A Man called Horse” and in sci-fi hit “Star Trek III: The Search for Spock” in 1982.

In 1960 Anderson was made “Dame Commander of the Order of the British Empire”,  the first Australian-born actress to be given the title of “Dame”.

Anderson was also nominated for a Grammy for her spoken word rendition of Emily Bronte classic “Wuthering Heights” and won a Tony Award for playing the role “Medea” opposite John Gielgud

Anderson also appeared in the television soap “Santa Barbara”.

Dame Judith Anderson was awarded in 1986 with a Living Legacy Award by the Women’s International Centre, and made a Companion of the Order of Australia in 199.

Judith Anderson passed away in 1992 in Santa Barbara USA. An Off-Broadway theatre is named in her honour in New York

If you are interested in learning more about Judith Anderson, the Performing Arts Collection of South Australia, held at the Adelaide Festival Centre, features costumes worn by Judith, photos and memorabilia.
 Judith Andersons Ashes and a memorial plaque are also housed inside one of the walls of the Festival Theatre on King William Road, Adelaide.

Dame Judith Anderson


Dame Judith Anderson

Dame Judith Anderson in the role of T’lar in Star Trek 3: The Search for Spock.
Another of South Australia’s fine but forgotten actors (see earlier blog about Otto Peter Heggie.)
 Dame Judith Anderson was born in Rose Park, South Australia in 1897 as Francis Margaret Anderson. She used the stage name Francee Anderson during her stage debut in Sydney in 1915.
Anderson later pursued her acting dreams and moved to Hollywood,  Los Angeles USA, where, via a letter of introduction she was introduced to Cecil B De Mille.
 Despite her talents and contacts, the West Coast was not for her, so she moved to New York City to work at the Fourteenth Street Theatre.
 Anderson made her Broadway debut in 1922. In 1924, Anderson changed her stage name, this time to “Judith Anderson” and with the new name came the success she had dreamed about with the play “The Cobra”, which proved to be extremely popular.
The 1930s proved to be a very successful decade for Anderson.  Returning to the USA after a successful theatre tour in Australia that had started in 1927, Anderson now found herself much sought after. With work offers to star opposite screen and stage legends such as Humphrey Bogart, John Gielgud and Laurence Olivier.
 Anderson starred in such notable plays as Hamlet, Macbeth, Mourning Becomes Electra and The Mask and the Face.
 It was not long before Anderson made her television debut, starring in two small screen adaptions of Macbeth, which won her two Emmy Awards, the first female to ever win two awards for the same role in different productions.
 Soon the silver screen beckoned with Anderson debuting in 1933’s Blood Money. This led to supporting roles in Alfred Hitchcock’s “Rebecca”, the movies “Laura” and “Cat on a Hot Tin Roof”, “A Man Called Horse” and in sci-fi hit “Star Trek III: The Search for Spock” in 1982.

In 1960 Anderson was made “Dame Commander of the Order of the British Empire”,  the first Australian-born actress to be given the title of “Dame”.

Anderson was also nominated for a Grammy for her spoken word rendition of Emily Bronte classic “Wuthering Heights” and won a Tony Award for playing the role “Medea” opposite John Gielgud

Anderson also appeared in the television soap “Santa Barbara”.

Dame Judith Anderson was awarded in 1986 with a Living Legacy Award by the Women’s International Centre and made a Companion of the Order of Australia in 199.

Judith Anderson passed away in 1992 in Santa Barbara USA. An Off-Broadway theatre is named in her honour in New York

If you are interested in learning more about Judith Anderson, the Performing Arts Collection of South Australia, held at the Adelaide Festival Centre, features costumes worn by Judith, photos and memorabilia.
 Dame Judith Andersons Ashes and a memorial plaque are also housed inside one of the walls of the Festival Theatre on King William Road, Adelaide.

Otto Peter Heggie

This post is in honour of an actor, one born in Angaston, who many South Australians would not have heard about, nor recognise. This man had a remarkable stage and screen career but alas is somewhat forgotten by his home state and his home town of Angaston in the Barossa Valley.
 The Anniversary of Mr Heggie’s death is this week on Friday the 7th.

 Otto P. Heggie, was born in Angaston in 1870 and went on to star in a variety of theatrical works, but he is perhaps best known for his role as the blind hermit in the film “The Bride of Frankenstein” (1935).


Mr Heggie was educated in Adelaide at Whinham College and at the Adelaide Conservatorium of music. His first stage role was in 1899, with a small bit part in a version of “The Three Musketeers”
Eventually he went to England with Sir Charles Henry Hawtrey who was an English actor, director, producer and manager. Hawtry cast Heggie in “The Lemonade Boy” & “A Message to Mars”, and from those two productions a star was born.
His performance was strong enough in the Hawtry produced play that Dame Ellen Terry, the leading Shakespearean actor of her day, invited him to tour with her in the USA in two productions “ Nance Oldfield” and “Captain Brassbounds Conversion”, the tour of course was very successful.
Mr Heggie returned to England to continue his acting career, landing a part in the Queen Theatres production of Hornungs “Stingaree” – a production based on the bush in outback New South Wales.
Mr Heggies list of accomplishments in theatre continued to grow with his reputation, earning him parts in productions at The Haymarket, The Kingsway and Adelphi Theatres, all theatres of great standing in the early 1900’s.
Perhaps Heggies best performance was that of Sherlock Holmes, at least the Author, Sir Arthur Conan Doyle, who write the character thought so, writing in a letter (Which Heggie dearly treasure) that his performance of the character of Holmes gave him great pleasure, as it was the first time he had seen him played exactly as He, the Imaginative mind behind the birth of Sherlock Holmes, had wanted him played.


Heggie went on to star in many more theatre productions such as “The House of Temperley” “Lower Depths” , “The Admiral Speaks”, but in 1927, he moved from the theatre into the cinema, where he starred in 27 well received movies and became a bigger star than he could’ve dreamt of from his theatre work.
He starred in such movies as “The Mysterious Dr. Fu Manchu” (1929), “The Return of Dr. Fu Manchu” (1930), “The Count of Monte Christo” (1934), “Anne of Green Gables” (1934), the aforementioned “The Bride of Frankenstein” (1935) as well as his final movie in 1936, “The Prisoner of Shark Island” – in all, he played parts in 27 theatrical cinema releases (IMDB link –http://www.imdb.com/name/nm0373773/)

Otto (Oliver) Peter Heggie was born on the 17 September 1877, Angaston, South Australia, Australia, and died on the 7th of February 1936 in Los Angeles California from pneumonia

Although known originally as a stage actor he will best be remembered for his role as the blind hermit alongside Boris Karloff in Bride of Frankenstein, which, in a and odd homage to his acting ability, was parodied by Gene Hackman in comedian Mel Brooks’ movie “Young Frankenstein” in 1974


Rest In Peace Mr Heggie, you are not forgotten.

.© 2013 Allen Tiller


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